Printed Images - Manipulation linking to Bridget Riley & Victor Vasarely

Following my Monomania foam printing work, once all the prints on fabric and paper had dried I went onto photocopying these pieces in A3 and A4 sizes and went to work with the scissors once again and taking what I learnt from the original paper manipulation and mixing that in with these new prints, I aimed to create a bunch of different unique patterns. Doing so by cutting the photocopies, mounting on card, weaving, overlaying and all round working with paper on paper.

So my main goal with these pieces was to try and recreate some of the techniques seen in Bridget Riley's and Victor Vasarely work. By using the same sort of line structure as them. Using waves and very sharp straight lines. To add my own spin on that I aimed to layer these techniques and using the original prints as back drops.
As well as doing that I added in paper and card to to help break up some of the more intense designs so not all the detail was lost. For example the first image, since I purposely used a waveform that went against the striped print it really pulls your eye in, very much like the OP art I've been researching and trying to mimic here. But by adding in the bland newspaper it helps break that down a little bit and once the viewer pulls away they can look into the less detailed part and this helps let the design pop out.
Following that the same sort of thing happened in the second image but the use of newspaper was more to pull the design off of the black back ground as the print was printed on black too. So by adding newspapers it helped further push the design to the front and lets the spaces between the cut strips go to work in drawing in the viewers eye.

Now for the last 3 they were the first 3 I worked on trying to recreate the very essence of Bridget Riley's work and how she used her lines to create movement. However I wanted to do that in revere with the first 2 prints. Having the prints as the background and working with cut paper to create a sense of movement in the work. I feel this worked best in the first piece as its a very simple overlay which creates this sense of stubble overlap that lets the design really pop off of the page. However in the second piece I feel the overlay is a little to extreme and the sense of movement is lost, but it came in handy as a learning tool to know what not to do next time. because of this when it came to having my sewing machine induction I used this piece to test out the different needle widths, lengths and zipzag spacings which can be seen below.
Lastly is a very simple but effort use of straight cuts of one of my black prints put onto white card which really helps break up the design and lets the white ink almost blend into the background. I feel this piece most represents Bridget Riley's work in my own style.